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FRAMESTORE CLIMBS BEHIND THE WHEEL FOR F1: THE MOVIE

By TREVOR HOGG Images courtesy of Apple Original Films and Warner Bros. Pictures. While the term “reskinning” is associated with video games where the visual aesthetic is altered within the original framework, it is also an approach utilized extensively by filmmaker Joseph Kosinski, where live-action footage is digitally altered to take advantage of the innate [...]

DIGITAL DOMAIN SCALES BACK FOR GREATER EFFECT ON THUNDERBOLTS*

By TREVOR HOGG Images courtesy of Digital Domain and Marvel Studios. Banding together in Thunderbolts* is a group of criminal misfits, comprised of Yelena Belova, John Walker, Ava Starr, Bucky Barnes, Red Guardian and Taskmaster, who embark on a mission under the direction of filmmaker Jake Schreier, with Jake Morrison providing digital support. Contributing nearly [...]

HOW DNEG BUILT SEATTLE AND DECAYED IT 25 YEARS FOR THE LAST OF US SEASON 2

By CHRIS McGOWAN Images courtesy of DNEG and HBO. The greening of a city usually makes a town a nicer place to live in, but it isn’t human-friendly when it happens to a post-apocalyptic Seattle overrun with voracious zombie-like creatures, as is the case in Season 2 of the hit HBO series The Last of [...]

BOAT DELIVERS A FLURRY OF VISUAL EFFECTS FOR THE ETERNAUT

By TREVOR HOGG Images courtesy of Netflix, K&S Films & Boat. The K&S Films and Netflix adaption of the iconic Argentinian graphic novel The Eternaut, which consists of six episodes created, directed and written by Bruno Stagnaro, provided a global showcase for Latin America visual effects company Boat. The major tasks for Boat were 120 [...]

THE RULES OF ENGAGEMENT FOR WARFARE

By TREVOR HOGG Images courtesy of DNA Films, A24 and Cinesite. What starts off as a routine military operation goes horribly wrong, and such an experience left a lasting impression on former American Navy SEAL Ray Mendoza, who recounts how his platoon came under fire during the Iraq War in 2006 while monitoring U.S. troop [...]

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