VFX Voice

The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.

Winner of three prestigious Folio Awards for excellence in publishing.

Subscribe to the VFX Voice Print Edition

Subscriptions & Single Issues


January 02
2018

ISSUE

Winter 2018

Executive Note: Winter 2018

Mike Chambers, Chair, VES Board of Directors

Mike Chambers, Chair, VES Board of Directors

 

Eric Roth, VES Executive Director

Eric Roth, VES Executive Director

Over the last two decades, the Visual Effects Society has used its position as a convener to take on critical issues affecting its membership and the greater VFX community. As the entertainment industry’s only organization representing the full breadth of visual effects practitioners, we are committed to advancing the art, science and application of visual effects, improving the welfare of our members and the global VFX community and celebrating VFX excellence – which drives box office and filmed entertainment like never before.

In this issue we take a look at the complex subject of Screen Credits in a VFX Voice Special Report. Many in the industry believe that VFX doesn’t have a voice, nor does it get sufficient respect for the artistry of its contribution, which touches nearly every film produced and, in some, provides a majority of the on-screen imagery. Others simply want to know why their credits come so late in the end crawl, long after the other creative credits, or why their names don’t appear at all. As a whole, the visual effects community believes it’s time for a change, and the first step towards achieving that is knowledge and understanding.

Our Special Report examines the history of this practice and gleans insights from industry leaders on the challenges and potential solutions to the issue of standardized credits in this dynamic marketplace – and the path towards greater recognition. From our perspective, it’s time to bring renewed attention to this issue of concern to many and move the conversation from private meetings with studio executives into the spotlight, spreading the dilemmas facing VFX facilities and artists to the wider Hollywood community. Read on and let us know your thoughts.

Moving forward, we at VFX Voice hope to bring you more articles that dive deeper into issues of significant importance to our community, while continuing to deliver eye-popping visuals, in-depth profiles and insightful stories that highlight the exceptional artists and innovators all across our global community. Heading into awards season, this issue profiles our 2018 VES Awards honorees – Georges Méliès Award recipient Joe Letteri and VES Lifetime Achievement Award recipient Jon Favreau. We also take a look at likely Academy Award VFX contenders, as well as 40 years of Star Wars VFX, and more.

Thank you again for being a part of the inaugural year of this exciting new addition to our organization’s legacy.


Share this post with

Most Popular Stories

MILK VFX GIVES NEW WINGS TO GOOD OMENS TO CAPTURE THE EMOTIONS
06 September 2023
Executive Note
MILK VFX GIVES NEW WINGS TO GOOD OMENS TO CAPTURE THE EMOTIONS
Good Omens follows the antics and adventures of angel Aziraphale and demon Crowley.
TURNING BACK TIME FOR INDIANA JONES AND THE DIAL OF DESTINY
08 August 2023
Executive Note
TURNING BACK TIME FOR INDIANA JONES AND THE DIAL OF DESTINY
Receiving the franchise baton from Steven Spielberg (Jaws), James Mangold (Ford v Ferrari) embarks on the fifth and final adventure with a character who made archeology, fedoras and bullwhips cool, and provided Harrison Ford with his third iconic cinematic persona.
CRAFTY APES VFX REACHES NEW HEIGHTS WITH I’M A VIRGO
12 September 2023
Executive Note
CRAFTY APES VFX REACHES NEW HEIGHTS WITH I’M A VIRGO
When it comes to tall orders, I’m a Virgo Visual Effects Supervisor Todd Perry asked Crafty Apes VFX to produce a 13-foot high teenage protagonist named Cootie, who gets to experience the world beyond his sheltered existence for the first time in the satirical Prime Video series created by director/writer Boots Riley.
FIN DESIGN + EFFECTS REFLECTS ON THE GLASS-AWNING FIGHT SCENE FOR EXTRACTION 2
29 August 2023
Executive Note
FIN DESIGN + EFFECTS REFLECTS ON THE GLASS-AWNING FIGHT SCENE FOR EXTRACTION 2
Thought to be dead mercenary, Tyler Rake (Chris Hemsworth) returns in the Netflix sequel Extraction 2 where the action shifts from Bangladesh to Austria under the direction of Sam Hargrave.
TRANSFORMING THE MONKEY KING FOR AMERICAN BORN CHINESE
15 August 2023
Executive Note
TRANSFORMING THE MONKEY KING FOR AMERICAN BORN CHINESE
Working on the Disney+ fantasy series American Born Chinese holds a special place in the heart of Visual Effects Supervisor Kaitlyn Yang (Raised by Wolves), because the content on the screen and the creative talent in front and behind the camera reflected her ethnic heritage in an authentic and meaningful way.