VFX Voice
The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
VFX Voice
The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
ISSUE
Winter 2019
The visual effects for Robert Stevenson’s 1964 Mary Poppins came together via a unique collaboration of on-set physical effects, matte painting, process photography, in-camera effects, traveling mattes and optical printing. This enabled the lead character to fly, and also interact at various times with 2D-animated characters. Several scenes in the film made use of the sodium vapor process, in which actors were filmed in front of a white screen lit with sodium vaporlights. The technique was invented by Petro Vlahos who, with Ub Iwerks and Wadsworth E. Pohl, was awarded an Oscar statuette in 1965 for the conception and perfection of techniques for Color Traveling Matte Composite Cinematography.
Mary Poppins would go on to be recognized with the 1964 Academy Award for Special Visual Effects, awarded to Peter Ellenshaw, Eustace Lycett and Hamilton Luske.
Join #VESToronto & LeFort Talent Group for a panel on mental health & career impacts from industry crises & coping strategies/resources to navigate difficult times.
Mon 9/18 - 3:30PM (PDT), 6:30PM (EDT) & Tues 9/19 - 8:30AM (AEST) & 10:30AM (NZST).
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When it comes to tall orders, @netflix "I'm a Virgo" VFX Sup Todd Perry asked @CraftyApesVFX to produce a 13-foot high teenage protagonist who gets to experience the world beyond his sheltered existence for the 1st time Go inside the #VFX in #VFXVoice-
CRAFTY APES VFX REACHES NEW HEIGHTS WITH I’M A VIRGO
When it comes to tall orders, I’m a Virgo Visual Effects Supervisor Todd Perry asked Crafty Apes VFX to produc...
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On the 22nd anniversary of the 9/11 attacks, we remember & honor those lost, their loved ones, the survivors, and the heroes who helped save lives that day. Let us recommit to working and living in community, solidarity & safe harbor.
#NeverForget
Visual Effects Society Responds to Complaints of Studios Downplaying #VFX Work: It’s “Time to Bring VFX Into the Light” @VFXSociety via @thr
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