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Final Frame 04.03.2018
2001: A Space Odyssey – The Jupiter Machine
Final Frame: Douglas Trumbull, VES
VES Awards 04.03.2018
Visual Effects Artistry in the Spotlight
The 16th Annual VES Awards celebrating the best in VFX.
V-Art 04.03.2018
V-Art: Alex Nice
V-Art showcases the talents of worldwide VFX professionals
Executive Note 04.03.2018
Executive Note: Spring 2018
Welcome to the Spring issue of VFX Voice!
Exclusives, Film 03.21.2018
THE LAST JEDI: Previs, Postvis and Techvis Explained
How previs, postvis and techvis from The Third Floor formed part of the making of Rian Johnson’s Star Wars: The Last Jedi
Exclusives, Film 03.16.2018
VFX Never Betray the Reality in HOSTILES
"The 671 visual effects shots in this film are 100% in service of the story and characters"
Exclusives, Film 01.31.2018
Simulating a Stampede in JUMANJI: WELCOME TO THE JUNGLE
Jumanji: Welcome to the Jungle Visual Effects Supervisor Jerome Chen on how the rhino stampede sequence was made.
Exclusives, Film 01.31.2018
The VFX of DOWNSIZING: Anatomy of a Shrinking Shot
Downsizing Visual Effects Supervisor James E. Price tells VFX Voice how the container shot was made possible.
Exclusives, Special Report 01.18.2018
Credit Where Credit is Due – Motion Capture
VFX veterans and actors discuss how best to honor the marriage of VFX artistry and motion capture performances in building CG characters
Film 01.02.2018
The VFX Oscar: Meet the Contenders
2017 was an enormous year for visual effects, which means the art of Oscar prediction remains a tough one.
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