VFX Voice

The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.

Winner of three prestigious Folio Awards for excellence in publishing.

Subscribe to the VFX Voice Print Edition

Subscriptions & Single Issues


January 10
2022

ISSUE

Winter 2022

VES 2021 Hall of Fame Inductees

 By NAOMI GOLDMAN

Roy Field (1932–2002) was a visual effects supervisor and director of photography, highly regarded as a special effects legend. He is best known for his work on Labyrinth, The Dark Crystal and Superman, which earned him an Academy Special Achievement Award and BAFTA for Visual Effects. 

John P. Fulton, ASC (1902–1966) was a special effects supervisor and cinematographer with a body of work including 250 films spanning nearly four decades, earning him three Academy Awards for Special Effects on Wonder Man, The Bridges at Toko-Ri and The Ten Commandments.

Phil Kellison (1918–2005) was a visual effects supervisor and designer with a 40-year career that ranged from the George Pal Puppetoons to industrial films, commercials and feature films. His specialties include stop-motion animation forced perspective, which he dubbed “Magnascope.” 

Auguste Lumière (1862–1954) and Louis Lumière (1864–1948). The Lumière Brothers were manufacturers of photography equipment, best known for their Cinématographe motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. 

John Whitney, Sr. (1917–1995) was an animator, composer and inventor, widely considered a father of computer animation. He used mechanical animation techniques to create sequences for film and television title sequences and commercials, most notably his collaboration with Saul Bass on the title sequence for Alfred Hitchcock’s Vertigo. 


Share this post with

Most Popular Stories

PROGRAMMING THE ILLUSION OF LIFE INTO THE WILD ROBOT
01 October 2024
VES News
PROGRAMMING THE ILLUSION OF LIFE INTO THE WILD ROBOT
For The Wild Robot Director/writer Chris Sanders, achieving the desired visual sophistication meant avoiding the coldness associated with CG animation.
REALISTIC FACIAL ANIMATION: THE LATEST TOOLS, TECHNIQUES AND CHALLENGES
01 October 2024
VES News
REALISTIC FACIAL ANIMATION: THE LATEST TOOLS, TECHNIQUES AND CHALLENGES
Facial animation has come a long way since the days of animatronics, as filmmakers now have access to a choice of advanced facial motion capture systems.
META QUEST 3 AND APPLE VISION PRO SPARK SURGE IN VR/AR HEADSETS
01 October 2024
VES News
META QUEST 3 AND APPLE VISION PRO SPARK SURGE IN VR/AR HEADSETS
While sales of VR and AR headsets were gloomy in 2023, 2024 has seen a solid recovery.
VFX IN ASIA: BOOM TIME
01 October 2024
VES News
VFX IN ASIA: BOOM TIME
Asia is playing an evolving role in shaping the global VFX ecosystem.
ARTISTIC ALCHEMY: THE PERSONAL CREATIONS OF VFX TALENT
01 October 2024
VES News
ARTISTIC ALCHEMY: THE PERSONAL CREATIONS OF VFX TALENT
In the world of visual effects, digital toolsets reign supreme, but that does not mean that traditional mediums have been tossed to the wayside.