The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
VFX Voice
The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
The VES Awards for Outstanding Visual Effects in a Photoreal Feature and Outstanding Model in a Photoreal or Animated Project (Aether) went to The Midnight Sky. (Images courtesy of Netflix)
SOUL
Soul won the VES Awards for Outstanding Visual Effects in an Animated Feature, Outstanding Animated Character (Terry), Outstanding Created Environment in an Animated Feature (You Seminar), Outstanding Effects Simulations in an Animated Feature and Outstanding Virtual Cinematography in a CG Project. (Images courtesy of Disney/Pixar)
THE MANDALORIAN
The Mandalorian won the VES Awards for Outstanding Visual Effects in a Photoreal Episode (The Marshal), Outstanding Animated Character in an Episode or Real-Time Project (The Jedi; The Child) and Outstanding Created Environment in an Episode, Commercial or Real-Time Project (The Believer; Morak Jungle). (Images courtesy of Lucasfilm Ltd. and Disney)
In the case of the second season of The Wheel of Time, the on-set visual effects supervision was equally divided between Roni Rodrigues and Mike Stillwell.
Mahalia Belo’s remarkable feature directorial debut The End We Start From follows a woman (Jodie Comer) and her newborn child as she embarks on a treacherous journey to find safe refuge after a devastating flood.
Virtual production keeps evolving & it’s a great time to get your copy of The VES Handbook of Virtual Production – the most comprehensive guide to virtual production techniques & best practices available!
https://www.amazon.com/VES-Handbook-Virtual-Production/dp/1032432640
Read more in #VFXVoice - https://www.vfxvoice.com/visual-effects-society-announces-the-release-of-the-ves-handbook-of-virtual-production/
Going to @FMX_Conference? Don't miss this 4/24 "VES Virtual Production" panel, w/experts showcasing guidance from the VES Handbook of Virtual Production w/real-life production examples on principles, workflows, advantages & disadvantages of VP & budgeting.
Headed to @FMX_Conference? Don't miss this 4/23 panel “NO CGI” is really just INVISIBLE CGI" on the CGI backlash & what the #VFX industry can do - w/Jonas Ussing, Co-Owner, Space Office VFX; VES Board Chair Kim Davidson & Executive Director Nancy Ward.
The Spring 2024 issue of #VFXVoice is live on http://vfxvoice.com! Immersive experiences @ Las Vegas Sphere, #3BodyProblem, #Fallout, #SHOGUN, booming #VFX in Canada, advances in mocap and virtual tools, #VESAwards highlights, industry profiles & more! Dive in, VFXers!
In the case of the second season of The Wheel of Time, the on-set visual effects supervision was equally divided between Roni Rodrigues and Mike Stillwell.
Mahalia Belo’s remarkable feature directorial debut The End We Start From follows a woman (Jodie Comer) and her newborn child as she embarks on a treacherous journey to find safe refuge after a devastating flood.
Visual and special effects have dramatically evolved like the creatures in the Godzilla franchise.
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