The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
DORA AND THE LOST CITY OF GOLD Visual Effects Supervisor Richard Little on MPC and Blink’s work on the VFX and animation of the red flower sequence (VFX Voice)
Martin Scorsese discusses the new work in digitally ‘youthifying’ Robert De Niro for his new film THE IRISHMAN – and speculates that it could become a more significant tool of illusionism than traditional tricks of hairdressing and make-up (Sight & Sound)
New Mocha Pro features Mega Plate module, Area Brush tool, and OpenColorIO support to speed up and streamline visual effects and post-production workflows (Creative Cow)
Using NVIDIA RTX and Unreal Engine, Digital Domain creates realistic virtual characters that capture emotions and actions in real time (SHOOT Online)
The animation eligibility changes reflect “trends where live action and animation production are blending,” according to VES (The Hollywood Reporter)
With his 13th feature film, Ang Lee is trying to save 3D and reinvent it at the same time (Deadline)
Apple has been actively hunting for visual effects startups in the UK over the last year (Business Insider)
Harbor’s global expansion continues as top new hires enhance its leadership & talent pool (Shots)
The newest addition to VFX house Monsters Aliens Robots Zombies brings decades of film and TV experience on shows like Hellboy and Grimm (Animation World Network)
Joint, a creative post production company, has hired Nirad “Bugs” Russell as an executive producer (SHOOT Online)