23 January 2024
VFX Weekly
TERMINATOR: DARK FATE director Tim Miller, VFX Producer Lisa Beroud, VFX Supervisor Eric Barba, and SFX Coordinator Neil Corbould, VES on the visual effects of the latest entry in the franchise (VFX Voice)
TREADSTONE VFX Producer and Supervisor Kris Wood on the visual effects of USA Network’s JASON BOURNE spinoff (VFX Voice)
Rise of the Resistance, when it opens at Walt Disney World and Disneyland in Anaheim, will be the showcase attraction of Star Wars: Galaxy’s Edge (Los Angeles Times)
In its short time as the newest buzzworthy platform, virtual reality has already shown itself to be an immersive, seductive playground for everyone from brand marketers to gamers. Equally as important are the ways it can completely revolutionize how we create content (Computer Graphics Weekly)
When the first trailer for the big screen adaptation of the long-running Broadway musical CATS debuted over the summer, it became the talk of the web, but not for any good reason (Slash Film)
THE IRISHMAN, 1917, and GEMINI MAN were also among those to make the cut (The Hollywood Reporter)
The effects team perfected images grand and granular (Variety)
Framestore’s next expansion will take place in Mumbai, where the company plans to open a “full digital production facility” in suburban Goregaon in 2020 (Studio Daily)
A digital exhibition completed by creative studio Squint/Opera used VR and character animation, VFX, historic footage, 3D models, and a crew of over 100, with social media shares a key goal (AV Magazine)
Visual effects, animation and stereo conversion company DNEG is bolstering its global client services team with the promotion of Lee Berger to executive VP. He will head up DNEG in Los Angeles. (SHOOT Online)
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