28 January 2025
VFX Weekly
It was the second consecutive Oscar for the film’s VFX supervisor Paul Lambert of lead VFX house DNEG, who won last year for Blade Runner 2049. (The Hollywood Reporter)
Sony Pictures Animation made history Sunday night by taking home the Best Animated Feature Oscar for its acclaimed pic Spider-Man: Into the Spider-Verse. (Animation Magazine)
Visual Effects Supervisor Marcus Taormina on the VFX of Netflix’s hugely successful BIRD BOX (VFX Voice)
How do special effects experts make such incredible movie magic? (BBC)
A visual effects artist who worked on two Oscar-nominated films has called for more opportunities for women behind the camera. (Evening Standard)
How Early Man was made, why stop motion animation is still popular and what the future holds for the CG and animation industries. (Gizmodo)
From a digital Oasis to the death of half the universe, this year’s Academy Award Nominees for best visual effects (VFX) are more than just entertainment. (Forbes)
Deal or no deal, the United Kingdom is scheduled to leave the European Union on March 29. (Variety)
VFX workers have been left thousands of pounds out of pocket after working tirelessly on recent films including multiple Oscar winning film Bohemian Rhapsody. (BETCU)
Ahead of the Mobile World Congress 2019 event in Barcelona, Spain tomorrow, Microsoft has held a pre-show press conference, revealing its plans for the future. The main announcement today is the unveiling of HoloLens 2, Microsoft’s mixed reality (MR) head-mounted display (HMD). (VRFocus)
Alkemy X has signed Emmy Award-winning director/creative director Anthony Furlong as his exclusive representative for advertising, branded content and related projects in the U.S. market. (SHOOT Online)
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