The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
By TREVOR HOGG Images courtesy of John Mangia and Paramount+. A number of CG cars were created, such as the Alfa Romeo. Every movie that gets made is a miracle as so many elements need to come together logistically, budgetarily, artistically and narratively over a period of a couple of years before it can be [...]
By TREVOR HOGG Images courtesy of Digital Domain and Marvel Studios. Digital Domain had to come up with how effects simulations would work and look to show what happens when two universes collide with each other. Living up to its title is Doctor Strange in the Multiverse of Madness, where filmmaker Sam Raimi (Spider-Man) infuses [...]
By TREVOR HOGG Images courtesy of The CW. A shot taken from the pilot episode outside the Fortress of Solitude. A creative partnership and friendship forged 28 years ago at MGM has Visual Effects Supervisor John Gajdecki (Stargate: Atlantis) and Visual Effects Producer Matthew Gore (Battlestar Galactica) working together again on the second season of [...]
By TREVOR HOGG Images courtesy of Universal Studios. The chase involving the Velociraptors combined plate photography from Malta and Chris Pratt riding a stationary motorbike on a massive rolling road in the U.K. Prehistoric beasts have had a constant presence in the life of David Vickery, who served as Visual Effects Supervisor on Jurassic World: [...]
By TREVOR HOGG Images courtesy of Apple, Inc. Amongst the winged creatures re-created are the Hatzegopteryx. Going beyond the Hollywood portrayals is the Apple TV+ natural documentary series Prehistoric Planet, which travels back 66 million years to the Late Cretaceous period when dinosaurs reigned supreme. Serving as executive producers are filmmaker Jon Favreau (Iron Man) [...]