The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
Sam Mendes’ World War I film is edited to look like one continuous shot. To pull off this feat, the effects team had to make its work as invisible as possible (The Hollywood Reporter)
The U.K.’s award-winning visual effects industry could be hard hit by the proposed new post-Brexit immigration system (Animation Magazine)
Visual effects and animation studio Framestore has launched FPS, which offers a suite of pre-production services (Variety)
The attraction has been hugely popular in its opening in London, and is a great example of using today’s storytelling and virtual tools to take modern viewers to a place and time they could never have experienced (Computer Graphics Weekly)
Disney’s THE LION KING, Disney Plus’ THE MANDALORIAN and Laika’s MISSING LINK scored top honors at the 18th Visual Effects Society Awards. (Variety)
Germany looks to set become an even more attractive destination for handling VFX-laden projects (Screen Daily)
Highly experienced VFX supervisor moves over to TV-focused wing of the leading visual effects house (Broadcast)
Appointment is a newly created position for visual effects facility (Broadcast)
Visual effects studio Digital Domain has named Kevin Lau executive creative director of advertising, games and new media (SHOOT Online)
UK animation and VFX house names longtime industry producer to manage inhouse team; studio affirms plan to add 50 jobs in Westby and Manchester (Animation World Network)
Over the past 20 years, Soto provided design, animation, and direction for commercial, experiential, broadcast, and film projects (Post Magazine)