23 January 2024
VFX Weekly
ILM, MR. X and Cinesite share how they’ve adjusted to remote VFX production and post-production during the COVID-19 crisis (VFX Voice)
As far as format-breaking television goes, Amazon Prime Video’s Undone tops the list (Variety)
Jellyfish CEO Phil Dobree on how virtualized production has eliminated global boundaries (Broadcast)
France-based digital media company Technicolor SA has filed for Chapter 15 in a U.S. bankruptcy court, citing the COVID-19 pandemic’s impact on revenue as well as a global shift away from traditional media in the last decade, which has impacted its DVD manufacturing business (Animation Magazine)
The Visual Effects Society has announced its newest Lifetime members, as well as this year’s recipient of the VES Founders Award (Post Magazine)
The Oscar-winning VFX powerhouse may have shifted to a working from home environment with relative ease, but the company — and the industry as a whole — is anticipating a rocky fall with likely job losses due to the summer production shutdown (The Hollywood Reporter)
Following an unprecedented decision to move its 47-year-old annual conference fully virtual, organizers of SIGGRAPH 2020 have quickly pivoted to design an all-digital conference that is as unique as its typical in-person offering (Computer Graphics World)
After her Oscar nomination for producing the 2017 animated short LOU, Dana Murray is making her feature producing debut with SOUL, the third Disney/Pixar film from director Pete Docter to be named as a Cannes Official Selection (Variety)
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