06 September 2023
VFX Weekly
DEVS Visual Effects Supervisor Andrew Whitehurst on creating the multidimensional VFX of Alex Garland’s FX on Hulu series (VFX Voice)
A survey of the diversity and inclusion policies and practices of the UK’s post-production community (Broadcast)
GAME OF THRONES ensured there’s no longer a gap in VFX quality between high-end features and episodic TV (IndieWire)
The company is reportedly beginning ‘mass production’ of a new headset towards the end of July (VR Focus)
The book has been cited by leading practitioners as the definitive visual effects textbook and the essential reference for the craft and art of VFX (Routledge)
In keeping with safety norms, filmmakers are chalking out ways to involve fewer people on the sets of a film, thus opening more doors for VFX teams to play a bigger role in the narrative (Times of India)
“The number of productions in Georgia keeps growing. It feels like it’s here to stay, and we want to be a part of it.” (What Now Atlanta)
Last week, the consistently remarkable Criterion Collection brought us the first-ever Blu-ray release of the 1953 sci-fi classic THE WAR OF THE WORLDS (SyFy)
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